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A late-night talk show with a different interview format, where guests appear on stage simultaneously and the host sits to the left and not behind a desk. Browse karaoke tracks/songs - find your favourite instrumentals & backing Be You - One Direction; Available for backing track audio mp3 download only.

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After the departure of core member and baroque multi-instrumentalist Rostam Batmanglij, the usually chipper and concise indie rock band recorded Father of the Bride , a very long, exploratory album. Sometimes the song is sublimely funky; sometimes it feels designed to make your stomach gurgle. After years of buttoned-up tastefulness, the band seems to be creeping into enemy territory here. It was easy to submit to rage this year; there was good cause all around.

Mercifully, Rico Nasty returned with her dynamic brand of catharsis, smashing through walls like a pint-sized Kool-Aid Man. Anger Management , her collaborative project with the producer Kenny Beats, was released just as spring arrived, but by summer, Rico seemed to have gotten fight music out of her system.

As the beat bubbles and then strikes, she catalogs her pain; there is loss, fear, undeserved hate. As summer turned into fall, that sentiment proved just as useful as her anger has been. Cate Le Bon finds the beauty in isolation. The video, however, looked more like a Y2K-era screensaver on a desktop computer: a steady, slightly pixelated flow of distant stars in an endless black sky. This is a song less about communication than connection: Who keeps you grounded?

Who pulls you out of the coal mine and into the real world? He recounts awkward drug sales, a hookup in a Burger King bathroom, and two encounters with a stripper: as a client and as a fellow patron at a laundromat. Skeevy and giddy, he makes the gutter sound like a theme park.

The rapper sounds at ease over this colorful backdrop, his laundry-themed wordplay as loose and entertaining as it is technical. Again and again, she ventures into dank places and emerges with observations that are striking for their lucid originality and humor. The song takes place in a dream and preserves dream logic, psychologically cogent yet somehow logically inexplicable.

Angel Olsen has always been difficult to pin down, a riddle wrapped in a mystery inside an otherworldly warble and gut-punching lyrics. She has spent her career shapeshifting between genres and personas, from solo folkie to barnstorming indie bandleader to Mark Ronson- collaborating pop singer. The song unfurls like the train of a black satin wedding gown, undulating on a bed of sinister, classic-Hollywood strings and subtle synth pulses.

With that, we are thoroughly under her spell. Then the song fades away, leaving you a little lighter than before. In the piano-ballad closer of Norman Fucking Rockwell! Once upon a time, listening to her music meant scouring all the references and layers to find the reasons for the apocalyptic dread in her voice, the slow-burning romance in her melodies, the nostalgic haze of her videos.

Eventually, Gretel pushes the evil creature into an oven, frees her caged sibling, and the pair escape. The song's mix of sped-up and untreated vocals suggests its namesake's split psyche, while its ominous main guitar riff is constantly brushing up against more whimsical musical flourishes. His talky flows scan as bar-heavy despite most of his raps being filler, simply because their ferocity can raze beats to cinders.

He runs rampant, bullying, threatening, and coercing his enemies, his claims brought to life by his bum-rushing delivery. The song made clear that DaBaby was wound up and raring to go before he exploded this year, and no one has stopped him yet. In and , the British singer-songwriter and producer Jai Paul released two singles that caught the attention of everyone from the then-active music blogosphere to Drake.

It came out of nowhere, two minutes of pure joy made by a guy whose previous claim to fame was rumoredly running a Nicki Minaj-stanning Twitter account. The finished product is a weird-as-hell blast of serotonin. David Berman was a peerless songwriter and poet with a gift for squeezing expressive scenes out of seemingly ordinary language. The images are breathtaking in their simplicity and beauty. She sings with a ferocity rarely heard in the easy-listening playlist bait of modern indie; her presence practically makes the entire band vibrate.

At that point, Dabice splits in two—her internal dialogue goes to the left channel as her newly courageous external self moves to the right. And truly, Uzi is the only rapper that could confess on record to being a loyal viewer of The Big Bang Theory and still have it slap. Free Uzi forreal. Normani breezed through the track, co-written by Ariana Grande, with the confidence of an artist who knows her worth, and further stamped her star power with the stunningly gymnastic choreography in its video.

She begins tenderly, but about a minute in, she starts hollering as if from the top of a mountain. Even once Olsen turns gentle again, the string arrangement simmers with dread—there is some kind of explosion coming, the song warns us, before it arrives, spectacularly. Megan Thee Stallion and DaBaby—both witty Southerners with distinct if borderline-conventional rap styles—seize the Lil Ju beat as a stage. The production booms and yet is barely there, and actually elevates their vocals.

Two much-hyped music videos were subsequently abandoned, making it quite clear: The song itself is plenty. Its bassline is a lure, the hi-hat a metronome for your sacrum to ride. Multi-part harmonies and singsong back-and-forth between Solange and The-Dream feel like peering into a closed session. False starts while scanning a playlist, tinny snares from passing headphones, auto-play in all of your feeds: In , sound is primarily experienced as fleeting.

A pop miniaturist who shuns grand vocal acrobatics, she skirts the edge of inaudible to invent a new kind of subdued sass. So cynical. With the release of the cosmic U. As a lyricist, Adrianne Lenker captures even the most abstract observations with profound precision. After the death of Rachel Owen—his former partner and the mother of his children—Thom Yorke, like many before, sought relief in Thom Yorke songs. He speaks of his return to creativity, and the way music airlifts the grief-stricken from despondency, in near-mystical terms.

Famous to fans for its incompletion, it may, to Yorke, have symbolized refuge and endurance. On its glassy surface, the mournful lyrics are typically inscrutable. Its title, which refers to the birdsong that accompanies sunrise, could represent resolution, or perhaps the bittersweet end of a glorious night.

The prettiest songs, he reminds us, will always be both at once. After decades of owning the age of 17 , Stevie Nicks finally passed the torch. Let Sharon Van Etten be the new author of your 17th year: She knows its allure and innocence, how it feels to be on the cusp of adulthood. It rolls like a boulder down a mile-long hill, pushed by a synth-rock snare and a seething, roaming performance from Van Etten as she feels every single word.

Behind her, though, a synthesizer chirps like a second, excitable singer. How do you savor intimacy when you can foresee its failure in vivid detail? Civilization teeters toward oblivion, the temperature climbs upward, and Lana Del Rey is our soothsayer. Pining for Long Beach and a lost lover, missing the music and nightlife of New York, her response to the future is to cling to her past. The gut punch of the song is that despite her exhaustion, she sounds fulfilled. As her voice drops to a whisper, she takes in this surreal and depressing panorama— what a truly ludicrous ending, right?

The greatest loss of all, it turns out, is our attention spans. Heartbreak is a trial so delicate that the slightest degree of pressure can shift whether it ends in acceptance or despair. A whisper of a beat propels an inquisition into self-doubt, longing, and regret—her voice aches, soaring with resolve before a gravitational pull brings it back down. A dreamy piano melody serves as a sidekick alongside synths that swell to a climax and then drop out altogether. It masterfully makes the ugly, complicated mess of interrogating lost love feel like an act of pride.

By Pitchfork. Pitchfork Radio. Planet Mu. Beauty Marks. Saddle Creek. Get Better. Rough Trade. Def Jam. Beats in Space. Triple Crown. Secretly Canadian. Young Turks. Promised Land. Mexican Summer. Dog Show. Warner Bros. Gudu Records. Loma Vista. Drag City. Sony UK. Sugar Trap. Sub Pop. Sacred Bones. RVNG Intl. The 50 Best Albums of The 20 Best Music Videos of The Best Albums of the s. The Best Songs of the s.

Marker lived long enough to see his fatalistic vision become a Bruce Willis movie, 12 Monkeys , but the original can't be beat for sheer elegance. Kubrick and Burgess were satirising new forms of psychotherapy, while Cold War totalitarianism was also on their minds.

Sci-fi fans will also appreciate that a minor character, Julian, is played by Dave Prowse, aka Darth Vader. Establishment scaremongering about the communist threat against American freedom of conscience seemingly underpins this drumhead-tight B-thriller about sinister extraterrestrial pods taking over small-town California in its sleep.

Buy, rent or watch 'Invasion of the Body Snatchers'. Bruce Willis plays a low-level criminal in a future earth destroyed by disease, sent back in time to trace the roots of the plague. In the process he manages to fall in love with Madeleine Stowe fair enough and gets banged up in a mental institution where he stumbles upon Brad Pitt in one of his first and finest roles as a demented, jittery environmental terrorist.

But this is such a bizarre mind-fuck of a film that it hardly matters. Plus, you get to see our Bruce wearing a blonde wig and Hawaiian shirt, which is a huge bonus. Oscar Isaac chills as Nathan, the psychopathic yet charismatic billionaire founder of the search engine company that protagonist Caleb, played by Domhnall Gleeson, works for. Circumstances send David on a dangerous journey to discover his maker, a nightmarish trek with many allusions to that other lost boy, Pinocchio that includes a sinister mechanical gigolo Law , a tech-phobic Flesh Fair, a visit to a half-submerged Manhattan and a controversial, highly emotional climax that lingers in the heart and the mind.

Gondry became more capable than his usual craftsy music videos, and Charlie Kaufman, the screenwriter, proved himself deeper than his reputation suggested. The biggest revelation comes in the shape of Jim Carrey and his turn as the squirmingly uncomfortable Joel.

Meanwhile, Kate Winslet plays Clementine, one of the great sphinxes in modern movies: voluminous, punkish, soulful, cherishable. She would be hard to forget after a breakup. Let it be stressed: at the root of every great sci-fi film is a killer script, not special effects or lasers.

It helps when your star is Michael J Fox, captured at the peak of his youthful heroism. Add to this some still-impressive effects, a wonderful swooping electronic score and the dry, ironic presence of that mechanical icon Robbie the Robot, and the result is a film that stands up to modern scrutiny at every turn. Is there another film that leaves audiences as sick to the stomach as The Fly? You watch Children of Men with a sinking feeling.

Everything in this nightmare vision of the future is recognisable. What qualifies it as sci-fi is the setting and global infertility crisis — no child has been born since Like the city, Clive Owen, a pen-pusher at the Ministry of Energy, is a shell of a man, talked by his ex, the leader of a terrorist guerrilla group, into aiding an African refugee.

Our human protagonist is Kris Kelvin Donatas Banionis , a grief-stricken scientist still mourning his long-dead wife, Hari. After an earthbound prologue that culminates in a mesmerising drive through an otherworldly metropolis, Kelvin journeys to a space station orbiting Solaris, a sentient planet that apparently has the power to resurrect dead beings.

In the midst of investigating these claims, his spouse Natalya Bondarchuk miraculously reappears, and things only get stranger from there. With Aliens , James Cameron proved his mastery of the stakes-raising sequel. But in terms of budget, scope and epic action, Terminator 2 took it to a whole new level.

Cameron had pioneered CGI in The Abyss , but T2 went a step further: limbs transform into swords, machines assume the forms of men and that final shape-shifting freakout, while undeniably dated, is still wildly inventive. Forget all the time-hopping, helicopter-exploding and banging on about destiny — at heart, this is a story about people, whether real or fabricated: their loves, their friendships, their failings and their regrets.

It may have been loosely based on a science fiction novel — Roadside Picnic by Boris and Arkady Strugatsky — but Stalker pushes the definition further than just about any other film on this list. But it also deals with the sheer overwhelming monotony of everyday life and the crushing depression of solitude. We only wish that more contemporary sci-fi emphasised ideas over explosions. Even the sequels, which were maligned at the time, are worth a revisit and still provide an edge-of-you-seat popcorn experience.

Two decades later, The Matrix remains sci-fi at its smartest. The opening sequence of The Thing is unbeatable — a relentless, ice-cold nerve-jangler. A helicopter flies in low over an American scientific research station in the Antarctic. The dog turns out to be a parasitic alien organism that can imitate any life form, and which proceeds to pick off the Yankees one by one.

John Carpenter prolongs this gut-twistingly tense paranoia throughout the whole film, and Kurt Russell leads an ensemble cast of totally believable, blue collar guys, bored to death and stir crazy. Not anymore. When the Frenchman found out that said family flick would also involve a stranded alien, he laughed out loud. We reckon he was laughing on the other side of his impish visage when ET went on to become the most successful film of all time.

Minute in scale, intimate in tone, it is one of the finest films ever made about how kids think and how families fit together. The Empire Strikes Back is truly wonderful: a textbook example of how to take a successful but fairly simplistic sci-fi formula and transform it into something emotionally absorbing, philosophically rich and — most importantly — deliriously enjoyable.

Nowhere is this more true than in the feisty Bogart-Bacall interactions between rakish rogue Harrison Ford and ice princess Carrie Fisher — their on-set dust-ups may be legendary, but their on-screen chemistry is unmistakable. While promoting that quickie horror sequel, a dream of a metallic torso pulling itself from an explosion sparked his imagination. The story is blissfully pulpy: a killer robot in synthetic skin Schwarzenegger, then best known for playing a sword-wielding comic-book barbarian is sent back in time from a ruined Earth to the present day.

His task is to murder Sarah Connor Hamilton , the mother of the future saviour of humanity. But over time it has become perhaps the most imitated sci-fi film ever. In a densely packed and towering city of the future, Freder, the son of a wealthy industrialist, falls in love with a girl from the hellish underground slum where workers toil to fuel the lives of those above. The ex-Python and Time Bandits and 12 Monkeys director conjures up a discomforting retro-futuristic world, setting much of his story in vast warehouse-like offices and cathedral-like industrial spaces.

Lowry dreams of soaring high like a mechanical bird and sweeping a beautiful mystery woman Greist off her feet. In reality, he finds himself at the heart of a confusing scandal involving presumed terrorists and a case of mistaken identity, reluctantly taking up a job at a government department called Information Retrieval so he can seek answers. But this is something altogether more majestic, ambitious and troubling. A pop masterpiece that redefined an industry, Star Wars updated sci-fi with unfashionable positivity, taking home a massive global haul that had studio execs salivating.

Suffice it to say, the stakes were raised and the space blockbuster was born. But chiefly, this was a film that launched a million toys — and, not insignificantly, a million dreams. Harrison Ford became a megastar overnight; ditto the black-masked Darth Vader, whose synthesised breathing noises entered the lexicon.

Almost three decades on, Aliens still looks like some kind of miracle. How did James Cameron, the veteran of precisely two films one of which was unwatchable manage to match, some would say improve upon, one of the most inventive sci-fi movies ever made?

Where did that script spring from, so streamlined and propulsive yet at the same time so sharp and quotable? And how, on a budget that would barely have covered the on-set sandwich trolley for Avatar , did he manage to create such an all-encompassing world, such dangerously droolsome hardware, such repulsively believable xenomorphic monsters? Admittedly, there are a lot of borrowed ideas in Aliens: the creatures, corridors, corporations and kick-ass heroine from the first movie, the sympathetic android from Blade Runner , militaristic dialogue straight from a Vietnam flick, costumes and weapons torn from the pages of countless comic books.

Cameron has never managed to repeat the trick. There are great moments in his later movies, but like his Alien antecedent Ridley Scott, Jim did his best work in his second and third films. Well, that and the breathtaking special effects. The appearance of the mothership over the mountain is one of the great visual punches in cinema.

And the gloriously unflashy performances — Truffaut and Bob Balaban make a perfect nerdy double-act. How many non-musicals feature their score so prominently? The result is pure joy distilled onto celluloid. Maybe God does have a beard, after all.

Space can also be a bleak, functional hellscape — just another workplace. Alien was the film that turned the Star Wars template on its head, keeping the cutting-edge effects and sense of a used universe, but making it so much more real, gritty and, ironically, more human. If the robots are programmed with more soul and compassion than the humans, how do you tell the difference? And does it matter? Blade Runner is the kind of spectacle that science fiction was invented for: immersive other worlds that can be explored to reflect our own fears, doubts and disturbances.

And it succeeds flawlessly. And so we reach the top of our list by a galactic margin , a film that scrapes the farthest edge of cinematic achievement. By and his fearsomely brilliant Dr. Strangelove , Stanley Kubrick was already the most scientific mind to ever step behind a camera. It made sense, then, that he would dive into an unprecedented four-year production process to bring sci-fi up to his exacting standards.

Secretly, The film was impressively open-ended for a mass entertainment, allowing for plenty of speculation. The way ahead is full of stars — we only need the minds to take in the view. About us. Contact us.

The best sci-fi movies of all time From human clones to alien invasions: we asked scientists, filmmakers and writers to select the best sci-fi films in cinema history. Discover the best of the city, first.

We already have this email. Try another? Independence Day Film Science fiction. Read more. Dune Annihilation The Endless. Film Thrillers. Serenity Film Action and adventure. Alphaville THX Black Panther. Solaris Attack the Block Film Fantasy. Fantastic Voyage Minority Report High Life. The Damned The Andromeda Strain Director: Robert Wise Cast: Arthur Hill, James Olson, David Wayne They call it science fiction, but only too rarely does the cinematic genre tackle a subject which focuses primarily on the science.

Frankenstein Film Horror. Things to Come Director: William Cameron Menzies Cast: Raymond Massey, Ralph Richardson, Edward Chapman For good or for ill, producer Alexander Korda allowed HG Wells to have creative control over this future-gazing epic and adaptation of his own novel — marking a rare occasion when a literary sci-fi giant has guided their own work on celluloid.

Cloud Atlas The Iron Giant The Mitchells vs. Ghost in the Shell Film Animation. World on a Wire Film Drama. Avatar Arrival Director: Denis Villeneuve Cast: Amy Adams, Jeremy Renner, Forest Whitaker Big-scale moviemaking embroidered with small human moments and done on Avatar 's canteen budget, Arrival is the kind of cerebral sci-fi moviemaking that scores its director, Denis Villeneuve, a gig like, say, Blade Runner or Dune.

Flash Gordon The American Astronaut Film Comedy. Seconds The Prestige Iron Man Westworld Director: Michael Crichton Cast: Yul Brynner, James Brolin, Richard Benjamin Twenty-four years before creating Jurassic Park , Michael Crichton directed his own screenplay for the first time with this cautionary tale about another fail-safe theme park attraction going seriously awry.

The Thing from Another World The Abyss The War of the Worlds Sleeper Dark City Director: Alex Proyas Cast: Rufus Sewell, Jennifer Connelly, Kiefer Sutherland Like science itself, sci-fi loves to probe the nature of what we call reality — in films as diverse as Blade Runner and Solaris , questions about subjective perception versus objective fact form the core of the story.

Mad Max 2: The Road Warrior Director: George Miller Cast: Mel Gibson, Bruce Spence The first Mad Max had a faint whiff of sci-fi, but that could have been the desolation of the Aussie landscape conjuring up visions of post-nuclear hell. Quatermass and the Pit But not even the Nazis masterminded explosives containing insectoid alien dwarfs with horns… The perfect meeting of sci-fi and horror, the Quatermass series influenced everything from Gravity Donnie Darko The Time Machine Repo Man Soylent Green Akira Predator Fantastic Planet Under the Skin Director: Jonathan Glazer Cast: Scarlett Johansson The set-up is fairly simple: an alien lands on Earth and tries to fit in while also having to sate an appetite for human flesh by assuming the form of a beautiful woman Scarlett Johansson and luring keen men to their deaths.

Starship Troopers Director: Paul Verhoeven Cast: Caspar Van Dien, Denise Richards, Michael Ironside Satire in science fiction is nothing new — but creating a perfect balance of entertainment and politics requires a particular set of skills. Ghostbusters Director: Ivan Reitman Cast: Bill Murray, Dan Aykroyd, Harold Ramis Another film that balances on the edge of science fiction — perhaps explaining its relatively low placing on this list.

Contact Her District 9 Star Trek 2: The Wrath of Khan Director: Nicholas Meyer Cast: William Shatner, Leonard Nimoy, Ricardo Montalban Only one Star Trek adventure managed to crack our top though First Contact missed out by the slimmest of margins , but then the series never did have quite the same broad appeal as their more easy-to-swallow Star Wars rivals. Total Recall The Fifth Element Director: Luc Besson Cast: Bruce Willis, Milla Jovovich, Gary Oldman Never a critical favourite, the French filmmaking magnate Luc Besson has resolutely persisted in following his own idiosyncratic taste, and this wayward fantasy has an individuality distinct from Hollywood formula.

They Live WALL-E Director: Andrew Stanton Cast voices : Ben Burtt, Elissa Knight Three years before The Artist reminded audiences that silent films exist, Pixar played the neater trick of channelling the pre-talkie era into a luscious computer-animated cartoon. Dark Star Invasion of the Body Snatchers Primer Inception Read review. The Man Who Fell to Earth Galaxy Quest Director: Dean Parisot Cast: Sigourney Weaver, Tim Allen, Alan Rickman Star Trek fandom was a phenomenon just begging to be lampooned, as that wonderfully dry, mismatched original cast grudgingly surrendered their lives to a legion of mega-nerds in jumpsuits with Plasticine stuck to their faces.

Silent Running Gattaca The Day the Earth Stood Still Jurassic Park Planet of the Apes A Clockwork Orange Director: Don Siegel Cast: Kevin McCarthy, Dana Wynter, King Donovan Establishment scaremongering about the communist threat against American freedom of conscience seemingly underpins this drumhead-tight B-thriller about sinister extraterrestrial pods taking over small-town California in its sleep.

Ex Machina AI Artificial Intelligence Eternal Sunshine of the Spotless Mind Back to the Future Forbidden Planet The Fly Children of Men Terminator 2: Judgment Day Stalker Director: Andrei Tarkovsky Cast: Aleksandr Kaydanovskiy, Anatoliy Solonitsyn, Nikolay Grinko It may have been loosely based on a science fiction novel — Roadside Picnic by Boris and Arkady Strugatsky — but Stalker pushes the definition further than just about any other film on this list.

Moon The Matrix The Thing ET the Extra-Terrestrial

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Carpool karaoke one direction download torrent I used this defensive approach to prevent taking damage and keeping my multiplier as high as possible for as long as possible. Of course, once it was out in the world the whole thing made some kind of twisted, outrageous sense, and it still does. Akira Robert Pattinson further cemented his post- Twilight career with this elusive, elliptical sci-fi film. Let it be stressed: at the root of every great sci-fi film is a killer script, not special effects or lasers. The fact that it placed higher on this list than any of the official Trek movies speaks volumes, although we await the furious comments… TH.
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No copyright is intended. Nothing in this video is mine. This is my first video ever! Hope you guys like it. Only on CBS. Get new episodes of No control Carpool Karaoke - one direction Elena Sanchez. I recently got a James Corden carpool karaoke mic thanks tik tok so my friends and I recreated tried to recreate the One Watch Carpool Karaoke with One Direction Jess and Gabriel. Thank you so much for watching! After thousands of requests for James Corden to kidnap and reunite the members of One Direction, he breaks down why he James calls on Selena Gomez to help him carpool to work, but not without a stop at an amusement park and a drive-thru first.

James Corden hits the carpool lane with international superstars BTS to sing songs off their new album "Map of the Soul: 7" and Nothing in this video is mine. This is my first video ever! Hope you guys like it. Watch Carpool Karaoke with One Direction No copyrights infringement intended in this video. One direction James Corden hits the carpool lane with international superstars BTS to sing songs off their new album "Map of the Soul: 7" and Jess and Gabriel. Thank you so much for watching!

No control Carpool Karaoke - one direction Elena Sanchez. James and Justin Bieber carpool through Los Angeles singing some of Justin's classic songs, and James challenges him to finish After thousands of requests for James Corden to kidnap and reunite the members of One Direction, he breaks down why he James Corden and Justin Bieber are reunited in the carpool lane where they quickly get into an argument about Tom Cruise, No copyright infrigement intented.

Parte 2: ruclips. My friends and I recreated the 1D Carpool Karaoke and had sooo much fun! I hope you enjoy and have a good laugh ;.

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